The Scarecrow and the Tin Man are pure products of the burlesque theatre, specializing in pantomime exaggerations of voice and body movements, pratfalls (the Scarecrow descending from his post), improbable leanings beyond the center of gravity (the Tin Man during his little dance), and, of course, the smart-ass backchat of the crosstalk act: At the pinnacle of all this clowning is that fully realized comic masterpiece of a creation, Bert Lahrs Cowardly Lion, all elongated vowel sounds (Put em uuuuuuuup), ridiculous rhymes (rhinoceros and imposserous), transparent bravado, and huge, operatic, tail-tugging, blubbering terror
He passed on to the fireplace
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