Across the 10 exemplary tracks here, theres a tangible arc: the bombast of opener Point and Shoot, the timelessness of the lowkey Gallic Shrug, and the desolate moodiness of closer Wolf Pine. On the frantic, Elvis Costello-channeling Gulch, Freeman yelps, And the highway is bright whn the speeds just right / and its hitting like a million bucks tonight / I love the world, but I think its too fucked up to drive. From how the piano-led Curtain dissolves into New Orleans jazz to the scorching guitars that anchor Gone (Can Mean a Lot of Things), each song stuns
It allows for a moment of deviation without challenging the structure itself
In my personal view, this cluttered collage is exactly what attracts so many international visitors
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Nicotine & Tobacco Research, 24 (7), 10551062